Hatsune Miku Beijing Tour ends, the founder reveals the successful experience of virtual singer

HatsuneMikuBeijingTourends,thefounderrevealsthesuccessfulexperienceofvirtualsinger
OntheeveningofNovember16,”TheFutureHasYou·HatsuneMiku”2019ChinaTourConcertBeijingStationendedinWukesongMSpace.This”perfectsingerwhowon’tgrowold,hasnogossip,noartisticdestruction,andnevertires”hasattractedhundredsofaudiencestoscreamandscreamforhersong,andtheatmosphereisverywarm.Liveconcert.Twelveyearsago,Japan’sCRYPTONFUTUREMEDIAdevelopedtheVOCALOIDsoundlibrarysoftware,creatingtheeternal16-year-oldsongJiHatsuneMiku.Sofar,HatsuneMikuhassteppedoutofthe“Birthplace”andbrokethroughthedimensionwall.Hehasheldmanytourconcertsaroundtheworld.HewasinvitedtobetheopeningguestoftheLadyGagaconcert,andreceivedacustomizedsuitfromLouisVuitton.ThegoddessScarlettJohanssoncollaboratedontheshootingofbig-nameadvertisements,whichhasbeenrecognizedbyanever-increasinglylargenumberofpeople.Liveconcert.So,howcana”person”composedofdatacapturetheheartsofthousandsofyoungpeople?OnthedaybeforetheBeijingconcert,thepresidentofJapan’sCRYPTONFUTUREMEDIAcompany,”FatherofHatsuneMiku”ItoHirokicametoBeijingontheopportunityof”TheFutureHasYou·HatsuneMiku”2019tourconcert,andwasinvitedtoChinaUniversityofCommunicationsAcademicexchanges,lecturesonthethemeof”TheBirthandDevelopmentofHatsuneMiku”,sharedthesuccessfuloperationexperienceofvirtualsingers,especiallythesecretofhowtobreakthewallofthesecondyuansubculture.ItoHiroyukitakesHatsuneMikudolls.ItoHiroyukisaidthatHatsune’sfuturewasborninaccordancewiththetrend,notbecauseofacertainpopularity.BeforeHatsuneMiku,CRYPTONFUTUREMEDIAfocusedonthebusinessofmakingsoundandmusiccontent,replacingthematurefoundationforHatsuneMikusoftware.Thenthesoftwarecameout,andtheanthropomorphicimagecustomizedforthesoundsourcewasalsolaunchedsimultaneously.Regardingtheidentityissuesgenerallyfacedbyvirtualsingers,ItoHiroyukiintroducedthatanimportantchangeinpromotingHatsune’sfuturecommunicationandidentityistocreateasenseofformationandparticipation.HatsuneMiku’ssongsarenotcreatedbydesignatedauthors,butaresubmittedfromaroundtheworld.Anyone’sworkmaybereplacedandpresentedtotheworldbyHatsuneMiku.Inadditiontomusic,peoplecanalsodrawillustrationsforHatsuneMikuonthecreationandsharingnetworkplatform,editvideos,writestories,andconstantlygivehernewvitality.AsItosaid,thisisthecontentcreators”injectingsoulintoinanimateobjects”.Today,therearevirtualsingerssuchasHertzintheChinesemarket.Forhowtoexpandthevitalityofvirtualsingersthroughtheexpansionofbusinessmodels,ItoHiroyukiintroducedthatinadditiontopromotingthevirtuouscirclebetweenHatsuneMikuandthecreatorsthroughthecontributionofallpeople,theoriginalAfterthefutureimageofYinyinisbasicallymature,thecompanytooktheopportunitytoholdaconcertforher,usingholographictechnologytoputthevirtualimageontherealworldstage,thedimensionwallwascompletelybroken,thedistancebetweenthevirtualsingerandthefansiscloser,andtheloyaltyofthefansCanalsobeimproved.Afterthat,throughaseriesofcross-bordercooperation,peripheralmanufacturing,experienceworkshopdevelopmentandotheractions,theconsumptionpowerandattentionofHatsune’sfuturefansweremaintainedandincreased.ThecomprehensiveeffectofallaspectshasenabledHatsunetogainlong-termvitalityinthefuture.Sauna,YeWangEditedbyYangChangWuLongzhenProofreadingLiShihui